The evolution of surfing—from the first forms of wave-riding in Oceania, Africa, and the Americas to the inauguration of surfing as a competitive sport at the 2020 Tokyo Olympics—traverses the age of empire, the rise of globalization, and the onset of the digital age, taking on new meanings at each juncture. As corporations have sought to promote surfing as a lifestyle and leisure enterprise, the sport has also narrated its own epic myths that place North America at the center of surf culture and relegate Hawai‘i and other indigenous surfing cultures to the margins. The Critical Surf Studies Reader brings together eighteen interdisciplinary essays that explore surfing's history and development as a practice embedded in complex and sometimes oppositional social, political, economic, and cultural relations. Refocusing the history and culture of surfing, this volume pays particular attention to reclaiming the roles that women, indigenous peoples, and people of color have played in surfing.

Contributors. Douglas Booth, Peter Brosius, Robin Canniford, Krista Comer, Kevin Dawson, Clifton Evers, Chris Gibson, Dina Gilio-Whitaker, Dexter Zavalza Hough-Snee, Scott Laderman, Kristin Lawler, lisahunter, Colleen McGloin, Patrick Moser, Tara Ruttenberg, Cori Schumacher, Alexander Sotelo Eastman, Glen Thompson, Isaiah Helekunihi Walker, Andrew Warren, Belinda Wheaton

In Shakespeare's Critics, A. M. Eastman and G. B. Harrison bring together Shakespearean criticism of 120 poets and writers from across more than three and a half centuries. They discuss every aspect of Shakespeare's art—his style, wit, characterization, adaptability to the modern stage, even the decency of his language. The variety, diversion, and contradiction of their points of view, as well as their different approaches, heighten our enjoyment and appreciation of his art. This Baedeker of Shakespearean criticism stresses both general and specific problems of interpretation and demonstrates that for Shakespeare there is no single, agreed-upon truth. The plays, from As You Like It to The Winter's Tale, are discussed and analyzed, giving us a total picture of Shakespeare's art that is concise and comprehensive. The result is a unique compendium of the shifting tides of taste during the past 370 years.